I have spent the last forty years looking at the world through a lens, documenting the moments, structures, and subcultures that exist just beneath the surface of the everyday. While my creative foundation is rooted in the rich, unpredictable world of street photography, my practice is defined by a constant desire to push boundaries, accept technical challenges, and recontextualise the familiar.
My work spans the architectural monoliths of modern cities, the raw typography of global graffiti, and the silent, classical geometry of historic cemeteries around the world. Whether capturing the imposing scale of a skyscraper dissolving into night fog or the intricate textures of a weathered monument, I look for the hidden narratives buried in shadow and light.
In a recent evolution of my craft, I have transitioned to a stripped-back, highly deliberate approach—utilising a mirrorless body paired exclusively with a fixed 35mm prime lens. This shift forces a closer, more intimate physical connection to the environment, requiring me to move within the space to frame the exact friction between the synthetic and the organic.
Current Projects
My current focus is divided into two distinct, ongoing visual essays:
- Laneways: An immersive exploration of urban secrecy, documenting the gritty, unpolished spines of cities—specifically the bluestone corridors of Melbourne—and the atmospheric shifts that occur after dark.
- People Carrying Pets: A human-centric documentary study examining the unique, tactile bonds of companionship. This series focuses exclusively on individuals physically carrying their animals through public spaces, capturing the trust, weight, and quiet intimacy embedded in these shared urban journeys.
For me, photography remains an ongoing dialogue with time, form, and isolation. It is a commitment to creating an intimate, permanent record of the transient spaces we inhabit.